Check out this new interview of Sophia with Imagista: theimagista.com/sophia_lillis! Photography by Michael Williams.

Sophia Lillis’ newest project is the Alan Ball (Six Feet Under) film, Uncle Frank, in which she stars with Paul Bettany. This edgy film is set in the 1970s and was a big hit earlier this year at Sundance. It will be released on Nov. 25th via Amazon Studios.

Imagista: The film, haunting as it is, documents an America divided by homophobic proclivities. What was it that drew you to the project?

Sophia Lillis: Well, originally, I loved Alan Ball’s work. It was a really good script, and amazing writing. It was a really personal story, so I wanted to play my part in bringing it to life. You don’t often see a script with a happy ending-strange thing to say- but you don’t. It’s a story about homophobia, but with a really happy ending, and that’s really rare to see. I wanted to help the story get told.

Imagista: How did your character differ from the personas you’ve inhabited in the past?

Sophia Lillis: For one, I had to play people of different ages. My character varies in age from fifteen to eighteen, which doesn’t sound like a lot, but kids act differently at fifteen to eighteen. And I had to pick up a Southern accent, which was a little different for me.

Imagista: Paul Bettany, British stalwart and heart-throb, co-stars: what was he like?

Sophia Lillis: Paul’s great. This was my opportunity to learn with adult actors-normally, I work with kids my age. I was very nervous at the beginning, because he was very prepared: he had his notes, he had his binders. I thought, ‘I’m going to have to up my game’, so the next day I bring my binder and notebook (begins laughing). Paul’s very tall, and I’m very short… Whenever I work with people, they’re always taller than me, but he’s very, very tall, so I had to learn to stand on crates in scenes.

Imagista: Alan Ball is renowned for showing the mistrusted psyche of the common person. How collaborative was Ball to work with?

Sophia Lillis: He’s very collaborative and works well with actors. Firstly, I loved Alan’s work on TV, so he’s used to getting things done quickly, and getting on with things. I’m such a perfectionist, so I like to work towards being perfect. I had to trust Alan whenever he said he was moving on, that he had what he needed from the scene. I was nervous about not doing well, so I had to trust that we gave him everything he wanted, that he had enough footage from the scene to move on to whatever was happening next, and that I had given a good performance for the scene. I guess it was mutual trust (chuckles).

Imagista: Do you think the film represents the America that we know and work in?

Sophia Lillis: The story is set in the early seventies: South Carolina in the seventies. America is a lot different now. Homophobia still exists, but I think things have changed. People are much more accepting. Watching it, I’m happy to see things have changed since the seventies.

Imagista: Although the film is primarily about men, it is the women who anchor and guide the film. Was that something that drew you to the project?

Sophia Lillis: There’s a lot of brilliant women, a lot of brilliant actresses, who worked on this film. I mean, if you look at the actresses, there’s Margo Martindale; there’s Judy Greer; Lois Smith. I felt my own character worked towards becoming a very strong woman in her own way, over the course of the story, so I would say that was something I liked about the script.

Imagista: Covid has changed the cinematic landscape. How do you think the pandemic will influence future releases?

Sophia Lillis: That’s the thing: I don’t think people are going to see this in the movie theater. And that’s what I miss most, is going to see movies in the movie theater. Everything being developed is being developed online, so I think it’s places like Netflix, like Hulu – places like Amazon. [The film will be out on 11/25 via Amazon Studios]

Imagista: What other projects are you working on?

Sophia Lillis: Things are just starting up again. My TV series I Am Not Okay With This was canceled because of the pandemic. That’s OK, it’s not like we can blame it on someone (chuckling), it’s a worldwide virus. This film definitely needs to be seen during this time. There were amazing people working on it, it’s got a good story, and there’s a happy ending to it. Very heart-warming. It’s a really lovely movie, and I’m not just saying that because I was involved with it!

Imagista: Talk to us about Sundance

Sophia Lillis: Sundance was a lot. It was a lot of fun, and I’d heard people saying it was a lot, but I didn’t realize how fast-moving it was. It reminded me of New York, and I guess it’s like Times Square. That’s the best way of describing it: you can’t stop moving. I wish I could have gone to more of the festival. I heard people saying they’d seen ‘this movie’, and ‘this thing’, and I was like…So jealous.

Sophia is on the cover of L’Officiel Australia Fall Winter Fashion Book. Photography by Mike Ruiz.

SOPHIA LILLIS BY MIKE RUIZ – FALL/WINTER FASHION BOOK (COVER ONE) AND INTERVIEW

How have you been socializing during the quarantine?

Zoom calls mostly. A lot of my friends have gone to college or are doing classes at home. I have one friend I go skateboarding with sometimes. My brother’s at school in Scotland so we mostly just FaceTime or text.

Your breakout role as Beverly Marsh in Stephen King’s thriller IT, were you anxious stepping into such a major role?

Yeah, I was nervous for a lot of reasons. I had no idea what to expect. I’d never worked on a big studio film, just smaller independent/student films. Maybe it was better that I didn’t know what to expect!

Another notable performance was in Sharp Objects directed by Jean-Marc Vallée, can you tell us about Jean-Marc’s direction for your character Young Camille?

Jean-Marc has a very distinctive style and the show, on the whole, was so complex and I was sort of like a piece in the puzzle so his direction was very specific — very visual. I was really just in flashbacks — so it was very loose and dreamlike and spontaneous. A lot of it was just playing in the field or skating down a hill.

This year you can be seen in Uncle Frank opposite Paul Bettany in a film written and directed by Alan Ball. What was your experience like working with those two and tell us about your preparation to play Beth?

I was very lucky to work with both Alan and Paul. I was a huge fan of Six Feet Under so I was honored to be offered the role of Beth. Alan is great to work with — he’s incredibly empathetic and really gives the actors time and room to find their characters. Paul is such a great actor — he’s very thorough and diligent and I learned a lot watching him work. To prepare for the role, I had to work on a southern accent so I had a dialect coach and then Paul, Peter (Macdissi), and I met with Alan for two or three days for rehearsals to go through the script. Most of the focus was on the story of Frank and Wally because I’m really the storyteller, I mean my character has an arc but the core of the story is really Uncle Frank’s story and his relationship with Wally and his family.

You seem to have quite dramatic roles, do you prefer these characters or would you like to play lighter, more comedic roles in the future?

I like dramatic roles, but comedy roles are also fun. I had a good time playing Nancy Drew, for example. You can kind of go more outside the lines with a more comedic role. A lot of my roles have been sort of a mix—there was actually quite a bit of comedy even in IT.

Do you prefer feature films or limited-series to star in?

They both have their plusses and minuses. On a film, it’s fun to go in, do a character, and move onto something else. With a series, you have more time though to develop the character so that can be interesting as well. I was really fond of my character Sydney in “I Am Not Okay with This” and really felt like I was starting to develop her — unfortunately the show was canceled due to difficulties because of the pandemic. I was really looking forward to having the chance to play her again.

It’s not easy during a pandemic, are you looking forward to getting back to the set?

Yes. I can’t wait. I’m trying to make the best of the time, though, working on scene study and dialect coaching — I also take classes in guitar, drawing, and Norwegian (because why not).

Do you have any upcoming projects that you can share with us?

Not at this time. Other than “I Am Not OK With This,” I was also supposed to start filming a western called “The Thicket” which is also still on hold due to Covid. I’m hoping it will go forward. Other than that, I’m discussing a few other projects but so much depends on what can get done while we’re dealing with the pandemic.

If it wasn’t for acting, what would be your profession otherwise?

Definitely, something in the arts. Maybe I’d go to art school but I love being on set so maybe set design or special effects. If I didn’t work in the film/TV industry, maybe I’d be an illustrator.

I added 28 high quality photoshoot outtakes to the gallery. Click on the gallery links below see both albums that have been updated.

I added 2 new albums to the gallery. Click on the gallery links below to see all photos from each album.

I added 3 new outtakes to the gallery taken by Lauren Perlstein for Elite Daily back in January. Click on the gallery link below to see the photos in full size.

I’m sorry for not posting this update earlier, but my father passed away last month and I haven’t been online much. I’m sure everyone already knows about this, but I still wanted to post this sad update about IANOWT being cancelled.

Netflix has reversed its Season 2 renewal decision for The Society. The YA drama, whose production was impacted by COVID-19, has been canceled and won’t film a second season. Additionally, Netflix has opted not to proceed with a second season of another coming-of-age series, I Am Not Okay With This.

While there had been no official renewal, I hear comedy-drama I Am Not Okay With This had been quietly picked up for a second season, scripts were written, and it was fully on track to go into production.

“We’ve made the difficult decision not to move forward with second seasons of The Society and I Am Not Okay With This,” Netflix said in a statement to Deadline. “We’re disappointed to have to make these decisions due to circumstances created by COVID, and we are grateful to these creators, including: Jonathan Entwistle, Christy Hall, Shawn Levy, Dan Levine, Dan Cohen and Josh Barry at 21 Laps Entertainment for I Am Not Okay With This; Chris Keyser, Marc Webb and Pavlina Hatoupis for The Society; and all the writers, casts and crews who worked tirelessly to make these shows for our members around the world.”

Co-created by Jonathan Entwistle and Christy Hall based on the Charles Forsman graphic novel, I Am Not Okay With This is written by Hall and directed by Entwistle. It is about a teenage girl navigating the trials and tribulations of high school, all the while dealing with the complexities of her family, her budding sexuality, and… mysterious superpowers just beginning to awaken from deep within her.

Entwistle and Hall executive produce with 21 Laps’ Shawn Levy, Dan Levine, Dan Cohen and Josh Barry.

Source: Deadline.com

Sophia photographed by Nadya Wasylko for Tidal Magazine. Click on the gallery link below to see all photos in full size.